Tomorrow Will Be Fine： We all have a bright future？

Special feature of 1905 film network Xiao Yu became a screenwriter of Beipiao,Ji Ye became a wandering singer,Baolan married a talented person with a room;They all have bright futures.filmTomorrow Will Be FineAt the end, Xiao Yu, the protagonist who has experienced ordinary fireworks from the home of Bao Lan, a close friend who has joined the family, saw her ex-boyfriend Ji Ye laughing and laughing in the talk show through the big screen of the high-rise building. Those who have been with her in trouble and chasing dreams seem to have come to a better tomorrow.

And she just missed the opportunity to write an autobiography film, and also found the "fire" in her heart in her new position as a prison drama director.

Audiences who are familiar with the background of film creation know that the screenwriter played by Jiang Yilei is the director’s self-portrait to some extent.

A few years ago, Yuan Yuan, a screenwriter of Unknown North Piao, also rented the same "Western Sun Room" in the film. No ventilation in hot summer, freezing cold in winter, and enjoying the environment of high sunshine radiation all the year round, made her have the idea of writing it into a script. After the screenwriter’s works and successive box office and award recognition, not only "Xi Sun" was put on the big screen in the name of Tomorrow Will Be Fine, but Yuan Yuan himself got the chance to direct the film personally.

Such a successful case of drifting north naturally gives Xiao Yu enough confidence that she still firmly chooses to stay in Beijing after being severely hit by life. Unwilling to live in a small town in her hometown, she still never forgets her dream passion. Experiencing "the tenth loneliness" — — When a person went to the hospital to see a doctor, she reconciled with herself who lived a "western sun" life in the light, and suddenly realized the significance of continuing to stick to Beijing.

It’s hard to rely on in Beijing, and there’s nowhere to put it back home. The cause of drifting northward, which was extended by Yuan Yuan’s personal experience, was also reasonably presented in the first screen leading performance of papi sauce.

Jiang Yilei, a graduate of Chinese opera director department, had lived in the north for four years with zero income before she became the "online celebrity of the Head" by changing her voice short video. "No (giving up the idea of drifting north)," like indomitable Xiao Yu, she also has an obsession with drifting north for no reason, "because if I go back to Shanghai, I still can’t find a job."

If you can’t do it with the group record, learn to write online articles to achieve transition and upgrading; Dream love can’t be said, but once it was owned, it was an unimaginable harvest for a creator in his hometown. What Beijing can provide for the fire in Xiao Yu’s heart is nothing more than the hope and possibility that the comfortable hometown can’t give.

As an "old" drifter in the film and television industry for many years, the author is clear about the significance of this hope carried by Beijing. But in this context, in reality, it is not Yuan Yuan or papi sauce-style career spring that North drifters welcome more.

Even as successful people who stand out from the crowd, as creators, they can’t turn a blind eye to the broken or disillusioned ideals around them. From the beginning of the film to the rent-changing show, to the extreme loneliness of a person watching a movie and seeing a doctor, and then to the constant experience of unemployment due to factors such as work philosophy, physical condition and material gap, all the difficult modes that North drifters can experience are concentrated on the protagonist.

Xiao Yu, who has been suffering for nine years under the attack of such a combination and wants to persist for at least one more year, has become an anxiety seller who walks without knowing it — — Even the strange lovelorn affair that almost cut off her hope began with the romantic mode of living together in the same room.

In the past, this urban legend, which survived the robbery in Qian Fan and had great love for the rest of my life, could only be a mirage with the marketing number "100,000+". Tomorrow Will Be Fine, who constantly superimposed suffering with images, and at the same time did not forget to beat the blood, let the real Beijiao people in it not see any better tomorrow.

From Yuan Yuan’s screenwriter’s previous work "Later Us" to the original work with the same name, in recent years, the films that reflect the status of Beipiao people, especially Beipiao women, have not broken through the passing line. In addition to the distance between the creator and the "first-line" drifters, it is obviously more fatal to try to fully observe and soothe the ambition of the group from the over-interpretation of the individual.

Even if the producer who has the keenest observation on the bottom of China society is invited, even if the scenes are cast on the tired workers from all walks of life, and even the young male staff is arranged with tears while chewing bread on the subway at night peak, Tomorrow Will Be Fine, who can only piece together the painful history with emotional life fragments, is a flat and punctiform offense to the growing group of North drifters.

Re-examine the film with the greatest goodwill, perhaps the creators simply want to cheer for the struggling North drift, and then burn the dream fire in their hearts more vigorously, and then use autobiographical logic to make everyone see a successful tomorrow through the papi sauce on the screen and Yuan Yuan behind the scenes.

But when Tomorrow Will Be Fine poured a chill over the target group with an unexplained individual dilemma, and suddenly lit up a flame of hope in the suffocating atmosphere that was suppressed to the verge of hypoxia, the bright future that was at that point was bound to be illusory.

Observe today　 　 　

　

One of the disappointments of this movie is that I rushed to see if tomorrow would be better, only to find that after watching it, I thought it might be worse. The character Xiao Yu described in it has certain problems. First of all, Xiao Yu is a screenwriter, and the screenwriter itself is a career with uncertain income. Only when you take out your work and this work is adopted, will you have income. It is different from other office workers who work nine to five, so it is not representative to tell people in a special industry how miserable and unstable this drift is. (short for Suzhou/short for Jiangsu Province/short of the Soviet Union/a surnameQin, film critic and emotional expert)

As an older single woman who has been drifting in the North for nine years, I saw this film at first, starring papi sauce, and I was somewhat expecting it. After watching the preview and understanding the plot, the feeling after watching the whole film is the face of the old man in the subway. The appeal of this program is to face this outdated, rigid and labeled fake chicken soup movie, and it has been done to some extent. In the future, if you encounter a film that can stimulate the director to express his desire, you should criticize it severely and gouge out the rotten apples. (Guo Jia, director of Today’s Film Review.)